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Features

On the bench

Osteopaths are amazing people. The other day I woke up and I could not move my neck. I was like a cat being held perpetually by the scruff of its neck. Normally I would just procure vast amounts of...

Interviews

Frank Bock: Part Four - Where Frank is now

Flora Wellesley Wesley and Frank Bock wrap up the conversation reflecting on where Frank is now and how he feels about...

Reviews

Laïla Diallo: Hold Everything Dear

Hold Everything Dear is a delicate piece. It has a self-awareness which gives me a sense of how much time has been spent making it and how well it knows itself. It has a confident calmness to it: the...

Blog

After the dance: An afterword on the Place Prize

I feel like a blindness is incurred when we talk about dance in this utopian, clear-cut, way. Asking ‘which is better?’ obscures ‘how could it be...

Events

FOLLOW ME: A ROUGH GUIDE TO EYEBALL MASSAGE

Join performer Alice Tatge in an alternative tour of the Pipilotti Rist exhibition. This 20-minute interactive tour allows visitors to experience the exhibition from new angles and...

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More Recent

Features

Remembering Through Performance

Hamish MacPherson wonders what iconoclastic choreographer Marten Spangberg would make of Drought...

Mistress Money Penny

Photos by Miss...

Fields of Immorality #3

 Five years of professional training, tours, all kinds of performances, various...

Fields of Immorality #2

 A fortnight ago, I did a TV commercial for one of the biggest online poker operators in the...

Interviews

Frank Bock: Part Three - Mentoring

Frank Bock reflects on the terrain of...

Frank Bock: Part One - Groundswell

Frank talks felt sense and fleshes out the thinking underpinning...

Frank Bock: Part Two - what_now

Flora Wellesley Wesley quizzes Frank Bock on his curation of what_now 2013, Independent Dance's...

Dance Umbrella: Andros Zins-Browne

 Andros Zins-Browne, the final artist BELLYFLOP Magazine has interviewed for Dance Umbrella...

Reviews

Khamlane Halsackda: What Do You Expect?

ExpectationsWhat Do You Expect? Well, I expect to understand what this piece is about. I have read...

The Applause Project

It is very nice to go to watch something without prior knowledge and without reservation. Billed as...

Hofesh Shechter: Uprising & The Art of Not Looking Back

Hofesh Who?Of late I had sort of forgotten about Hofesh Shechter. I first encountered his work in...

The Place Prize 2012

Rick Nodine's Dead Gig leaves me with the sound of sneakers on dancefloor and the image of a...

Blog

Art of the Moment

Festivals like 'Art of the Moment' make my ears prick up. This particular one is...

A thought about writing

Writing doesn't take space. Writing makes space.It's essentially an opener: of other...

Why it’s all about feminist, or Two Critical Tools

I wanted to address something that has been bothering me about The Experiment, organised by the...

Being Offensive

Dance world and opinions is a tricky balancing act when we invest ourselves in the work we make and...

Past Issue

Issue 1:
The Homemade Issue
The first ever edition of BELLYFLOP Magazine, assembled especially for the Chisenhale Dance Space Homemade Festival 2010. This colourful issue inspired by the theme ‘Homemade’ includes an interview with dancer Dolly Dewhurst-Marks and an exposing conversation about obesity with dance artist Gillie Kleiman. Add to the mix a dash of dance debate and some inspiring images and the result is a satisfying patchwork quilt woven by performance enthusiasts.

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