Latest

Features

On the bench

Osteopaths are amazing people. The other day I woke up and I could not move my neck. I was like a cat being held perpetually by the scruff of its neck. Normally I would just procure vast amounts of...

Interviews

Siobhan Davies

 Siobhan Davies has become somewhat of an institutuion. A dance company existed in her name, then a building, and now Dance and Commissions do. But while Davies is a prominent feature of the...

Reviews

Bourgeois & maurice: Fa La La La La

Georgeois Bourgeois and Maurice Maurice are a singing, dancing, talking celebration of live performance. Maybe it’s my proximity to the stage which makes the liveness so sensuous –...

Blog

Garble

London Contemporary Dance School is brewing a little gem. The latest issue of Garble, the magazine written and created by students on the degree course (editor James Morgan), has hit the...

Events

FOLLOW ME: A ROUGH GUIDE TO EYEBALL MASSAGE

Join performer Alice Tatge in an alternative tour of the Pipilotti Rist exhibition. This 20-minute interactive tour allows visitors to experience the exhibition from new angles and...

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More Recent

Features

Remembering Through Performance

Hamish MacPherson wonders what iconoclastic choreographer Marten Spangberg would make of Drought...

Fields of Immorality #3

 Five years of professional training, tours, all kinds of performances, various...

Fields of Immorality #2

 A fortnight ago, I did a TV commercial for one of the biggest online poker operators in the...

Fields of Immorality #1

 When I was eighteen I met a charming man, who was so incredibly worldly and international and...

Interviews

Emma Gladstone

Emma Gladstone is head of programming at the Lilian Baylis Studio in Sadler’s Wells and...

Luke Pell

It was a particularly cold February evening, when I arrived at Forest Hill station for the first...

Adam Linder

As a dancer slipping and sliding my way through performing, making and part-time pub working, I...

Understanding what it takes - interview with Rosalind Crisp

Australian Rosalind Crisp talks about her work and how she ended up in...

Reviews

Greenwich Dance Christmas Cabaret

Greenwich Dance's Christmas Cabaret was fun. The enormous 1930's hall was filled with...

Deborah Hay: At Once Twice

Interpretation, adaptation, repetition, recreation... the words to describe Deborah Hay’s...

Tabernacle: Fearghus O'Conchuir

Tabernacle was a very strange experience for me; I want to say that a lot of it went over...

bgroup: The lessening of difference

 Through London traffic I arrived a little late for this performance – just a little...

Blog

Gati Summer Dance Residency 2012

Call for applications: Gati Summer Dance Residency 2012 (April 21 to June...

Speak for yourself, Dance

 Meg Stuart/Damaged Goods taster of latest work Violet created with and performed by Alexander...

Dancing Mania

 A few days ago Charlie blogged about Niege Borges. On Borges' own blog you will...

Hacking Dance Posters

I enjoyed this series of alternative film posters.So much so that I attempted my own hacking of a...

Latest Issue

Issue 4:
The Money Issue
In this issue, BELLYFLOP takes on the root of all evil that allegedly makes our world go round… you guessed it, Money! With contributions tackling the thorny subject of performance funding and featuring interviews with London-based performance artist Brian Lobel and Berlin-based choreographer Adam Linder, as well as some fruity photographs from the mysterious Miss T.

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