Osteopaths are amazing people. The other day I woke up and I could not move my neck. I was like a cat being held perpetually by the scruff of its neck.
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Hamish MacPherson wonders what iconoclastic choreographer Marten Spangberg would make of Drought and Rain, Ea Sola’s exploration of the memory of the America-Vietnam war.
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Photos by Miss T.
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Means Test the Wedding Dress
Even the prettiest daisies, if you look close enough,
Harbour streaks of pink
In the midst of delicate porcelain petals.
Even the blankest canvas
Is riddled with...
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What happens when all of the commission money is spent, our stages are full and we are not the ones toeing the boards? What happens when performance is not given space under the lights? What happens when performance doesn’t even want to be under the lights...
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Can we save performance, or rather, can performance save itself?
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I am decadent when I drink Courvoisier; my friend is cool when he drinks Lambrini.
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You don’t get much more pop than Pineapple Dance Studios. Two hundred classes a week, 3,500 members, 40 different varieties of dance styles and a reality TV programme to boot.
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It's fair to say that I have wasted quite a lot of my life on nonsensical daydreams. In some of my most lengthy and enjoyable reveries, I play a stupid game where I replace members of my family with celebrities and imagine how they might have made me into...
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Photos by Gustavo Murillo.
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A Coffee Morning was held at Chisenhale Dance Space, London, on 4 February 2011. Ten independent artists, from dance, theatre and live art, discussed what ‘postfundingism’ might be and do.
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I want to thank Phoebe Collings-James for her reply to my text The Virgin’s Release: Women Sex and Live Art (BELLYFLOP Virginity Issue).
