Georgeois Bourgeois and Maurice Maurice are a singing, dancing, talking celebration of live performance.
Reviews
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Greenwich Dance's Christmas Cabaret was fun. The enormous 1930's hall was filled with tables and chairs, and lights and the bar was serving drinks direct to your seats. People dressed up. Children sprung around dancing to the brilliant house band The Ciyo...
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Interpretation, adaptation, repetition, recreation... the words to describe Deborah Hay’s solo’s proliferation are as numerous at the times it has been performed.
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Tabernacle was a very strange experience for me; I want to say that a lot of it went over my head.
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This review, I’m afraid, is going to be hurried. Tonight was opening night, tomorrow (Wednesday 23rd November) it closes and I desperately want you to see this, I will be writing more here in the coming days.
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So they are men. And they dance. And they speak and change costume a lot. And they are funny.
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The evening showcases the work of two Black, female artists. Nelisiwe Xaba Originally from Soweto and Mamela Nyamza from Cape Town. Both have some history of dancing in the west, Xaba with a scholarship from Rambert and Nyamza with Alvin Ailey.
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An Anatomie in Four Quarters opens Clod Ensemble’s Anatomy Season: a month of performances, talks and workshops by artists, scientists, medics and thinkers.
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It had been quite an exhilarating day anyway. I managed to survive the whole day wearing heels in preparation for the Wells.
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The vast Barbican auditorium is full - impressively so. It feels almost church-y. I don’t know anything about Childs or her work but through some mysterious process of dance-scene-osmosis I have an image of lots of Judson-esque women, plenty of stepping...
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